Trece ultimas horas en la vida de García lorca, las (Historia Del Siglo Xx) (Spanish Edition)

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For although a vacant position did not translate into the certainty of anyone being called to fill it a situation which would not be advantageous either , it was considered that any decrease in the number of people in the space meant greater safety.

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Doubtless, those most often attacked were those up high in the elevated positions, those to whom a superior condition was superstitiously attributed. I saw one of them, three meters high, with a pole piercing him in his back through to his chest, bleeding, but still clinging to his pole: he was letting out heart wrenching screams, but they went unheard due to the musak always accompanying the tasks.

The number of casualties, on the other hand, could not concern the companies, because the real work was carried out by a small machine, the size of a shoe box, which neither required supervision nor did it ever breakdown. Translated from Spanish by Dena Cowan. This poet, playwright and novelist was an insightfully pessimistic critic of Argentine reality. Reputedly a miser and difficult to deal with, his viewed life with a sensitivity as rare as it was incomprehensible.

At the age of 52, his lifeless body was discovered in his bathroom, surrounded by a great number of wine bottles. Vive y trabaja en Madrid. Entre , reside en Galway, Irlanda. Yto Barrada. Entre sus muestras individuales, destacan, Le Detroit, notes sur un pays inutile, Gal. Margaret Bourke-White.

White School of Photography, Univ. Enferma de Parkinson, muere en Asimismo, ha sido incluido en numerosas exposiciones colectivas, entre las que destacan Tele[visions], Kunsthalle, Viena, ; An exhibition about the Exchange Rates of Bodies and Values, P. Walker Evans. En , pasa a formar parte de la Academia Americana de las Artes y las Letras. Roland Fischer. Actualmente vive y trabaja en Munich. Esto se destaca especialmente en sus series sobre retratos de mujeres en piscinas, Los Angeles Portraits, y los de monjas y curas de clausura.

Helga de Alvear, Madrid, ; Gal. Clairefontaine, Luxemburgo, ; Gal. Sollertis, Toulouse, En , cuatro muestras individuales recogen su trabajo en diversos espacios como Walter Storms Gal. Lee Friedlander. Aberdeen, Washington Estados Unidos , Vive y trabaja en Nueva York. David Goldblatt. Vive y trabaja en Johannesburgo. Durante este tiempo, ha combinado el trabajo editorial, con la publicidad y los encargos de diversas instituciones.

Entre sus exposiciones individuales cabe destacar David Goldblatt. Leizpig Alemania , Abbas Kiarostami. Khaneh-Je Doost Kojast, Lewis Hine. Wisconsin Estados Unidos , - Nueva York, Su serie Child Labour in Carolina fue determinante en la nueva ley laboral para la infancia. Fritz Lang. Herido cuatro veces en la Primera Guerra Mundial, comienza a escribir guiones durante una de sus convalecencias. Mabuse Craigie Horsfield. Cambridge Reino Unido , Vive y trabaja entre Londres y Nueva York. Formado en el departamento de pintura de la St. Su obra ha sido mostrada en museos de todo el mundo.

Recientemente, ha participado en la Documenta 11, Kassel, Norwood, Massachusetts Estados Unidos , Vive y trabaja en Los Angeles.

BODAS DE SANGRE. Federico García Lorca

Entre sus citas individuales destacan Goshogaoka Girls Basketball, Gal. Aernout Mik. Groningen, Holanda , Vive y trabaja en Amsterdam. Ha realizado diversas muestras individuales: Small Disasters, Gal. Daniela Rossell. Licenciada en Artes Visuales por la Univ. Greene Naftali, Nueva York, Aymores, Minas Gerais Brasil , En , funda con su mujer, Leila Wanick, su propia agencia de prensa, Amazonas Images.

Herdorf, Alemania , - Colonia, Santiago Sierra. Su trayectoria expositiva individual ha recorrido espacios y salas como Gal. Eugene Smith.

El viaje que marcó la vida de Federico García Lorca

Wichita Estados Unidos , - Tucson, Sus primeros encargos, los realiza para la revista Newsweek. Boras Suecia , Jeff Wall. Actualmente, es profesor en la Universidad de Vancouver. Seville Spain , She lives and works in Madrid. From to , she lived in Galway, Ireland. Most noteworthy among her solo shows are You are welcome, Gal. Juana de Aizpuru, Sevilla, ; Just do it, Gal. Juana de Aizpuru, Madrid, ; To be or not to be, Gal. She was awarded the Altadis Prize, in Paris France , He lives and works both in Paris and Tangier.

He earned an undergraduate degree in history and a masters in political science from the Sorbonne. He is a North African photographer whose work focuses on his geographical roots, exploring the complex situation of postcolonial societies during the age of globalization. His images emphasize the cultural conflicts experienced by his people, where dreams of migration, city life and exploitation by European multi-nationals portray problems obscured by our Western viewpoint. Most outstanding among his solo shows are Le Detroit, notes sur un pays inutile, Gal. Delacroix, Tangier, , and the show in at the Parisian gallery that represents him, Galerie Polaris.

She is considered one of the most important photojournalists of the first half of the XX century. Educated at various American universities -Columbia, Michigan, Indiana-, she graduated in after having majored in Herpetology the study of reptiles at Cornell University in New York. She studied photography at Clarence H. Soon afterward, she began working for the magazines Fortune and Life. She was the first woman photographer for the American Armed Forces and she covered several conflicts.

During the s, she traveled throughout the United States Cleveland, Chicago, New York , paying special attention to the working conditions and to citizens in industrial contexts. She also traveled to Europe Germany and the Soviet Union , where she reflected the prewar climate of the 30s. Her famous pictures of Stalin were taken at that time. In India, she covered the birth of the nation, photographing Gandhi on various occasions, and in South Africa, her images portrayed the grueling work at the gold and diamond mines.

In , she published her autobiography Portrait of myself, narrating her complex and eventful life. Mexico City, Mexico , Educated at the San Francisco Art Institute, his interdisciplinary work incorporates substantial doses of humor and irony, creating poignant fictions meant to question inherited historic constructions. He has also explored the relations between art and institutions, taking a critical stance toward the power structures dominating the cultural industry. In the year , he was awarded a multimedia projects scholarship from the Rockefeller and MacArthur Foundation.

Likewise, he has been included in numerous group shows, most noteworthy of which are Tele[visions], Kunsthalle, Vienna, ; An exhibition about the Exchange Rates of Bodies and Values, P. After graduating from the Phillips Academy of Massachusetts in the s, he moved to New York with the intention of becoming a writer. He worked there as a book trader before traveling to Paris and attending courses at the Sorbonne. Upon his return to New York, he decided to devote himself entirely to photography, producing a body of work consisting of detailed documentary images, a straight photography style which greatly contrasted that of his peers Steichen and Stieglitz.

He carried out a documentary project on Victorian architecture in the United States and another on the political disturbances in Cuba in before joining the Farm Security Administration F. In , the MoMA of New York conceded him the first exhibition ever devoted entirely to a photographer.

In , he received a Guggenheim scholarship. Soon afterward, he began collaborating with the magazines Time and Fortune In , he was hired by Yale University to teach graphic arts and in , he was nominated Emeritus Professor of this institution. In , he became a member of the American Academy of Arts and Letters.

He currently lives and works in Munich. Apart from some brief and sporadic forays into photojournalism, he has always carried out his work in series that trace the idiosyncratic communicative strategies of man in his environment, with facets such as solitude and isolation being among the principle themes. This is most notable in his series of portraits in swimming pools, Los Angeles Portraits, and of cloistered monks and priests. Since , the year he celebrated his first exhibition, he has shown his work regularly in Germany, France, Spain and the U.

Clairefontaine, Luxembourg, ; Gal. In the year , he had four solo shows: Walter Storms Gal. Aberdeen, Washington United States , He lives and works in New York.

Carlism in literature

He began taking photographs when he was fourteen years old. As he was fascinated with jazz, after studying at the Art Center School of Los Angeles between , he went to work as a professional photographer at Columbia, Atlantic Records and RCA, producing record covers and portraiture of New Orleans musicians. In , he moved to New York and continued refining his. His is formally coherent, yet somewhat ambiguously ironic, straight photography that captures people, monuments, buildings and spaces pertinent to U.

He is represented by the Fraenkel Gallery, San Francisco. Gatica, Vizcaya Spain , Beyond his objects and sculptures, his photographs involve glamorously disturbing and sophisticatedly staged sets, resembling commercial graphic arts and including texts and logos. Randfontein, South Africa , He lives and works in Johannesburg. Although taking up photography before college, he felt it offered few opportunities for success and chose to carry on the family clothing business. His career has included contributions to publications, advertising campaigns and the fulfilment of a series of diverse commissions.

In , he founded the Market Photography Workshop in Johannesburg, for the purpose of teaching photography to South African children, especially those who have suffered from some sort of discrimination. In recent years, his work has been a part of several group shows around the world, most noteworthy of which was his participation in Documenta 11, Kassel, Leizpig Germany , He took up photography thanks to his father, a successful commercial photographer. His photographs of human.

His high quality works, in color and large formats, depict the world with close-ups that become opulent and spectacular reflections of the contemporary art scene and symbols of Western civilization. He pays particular attention to themes that are characteristic of contemporary society, and his way of treating them visually gives rise to a work focusing cyclically on meeting places, such as airports, hotels, parking places or entertainment centers, discoteques or massive workplaces. Wisconsin, - New York, United States. He earned an undergraduate degree in Sociology at the University of Chicago in and a graduate degree from Columbia University, New York.

He took up photography in and devoted himself to it full-time after graduating from college. Joining the Red Cross in , he began to travel extensively throughout Europe and his photography style, originally straight and aseptic documents, became increasingly subjective, giving rise to a personal interpretation of reality. His work Child Labor in Carolina was key in the drafting of the new child labor laws.

His photographs belong to many of the most important collections and have been exhibited worldwide. Cambridge United Kingdom , He lives and works both in London and New York. His photography constitutes a small but fundamental part of his artistic project, having experimented over the years with video, installations and performances. His black-andwhite pictures spring forth from an experience of observation and interaction with reality, and evince a spontaneous documentary style. Interested in human relationships and subjectivity, he has continuously explored the mechanisms determining our position in the world, delving into the dialectic between subjective and collective elements.

He has collaborated on multiple projects, noteworthy among which was his participation in the multidisciplinary group La Ciutat de la Gent, including anthropologists, economists, sociologists, politicians and artists. His work has been shown in museums worldwide and he participated in the Kassel Documenta 11, in Teheran Iran , He studied fine arts and worked as a painter, poster designer and commercial film technician. However, for some critics, it is in the earlier film Zendegi Edameh Dara, where he reached the maximum expression of his creative talent.

His work is frequently present at art shows and exhibitions and it has become known to the art world mainly through his activities at Galerie de France, Paris, or his participation in group shows such as La ciudad de los cineastas, CCCB, in Barcelona, This Austrian-American filmmaker was known for his expressionist exploration of reality and his exceptionally grandiose and impressive scenes.

He studied architecture and fine arts at the Technische Hochschule in Vienna. In , he began a career as a painter in Paris, taking part in the avant-garde. Injured four times in World War I, he began writing scripts during one of his convalescent periods. At the end of the war, he traveled to Berlin to work for the producer Erich Pommer. His debut as director was with Halbblut , a film that already dealt with one of the themes that would reoccur time and again in his work: man destroys himself by falling in love.

This same motif is expanded upon in his most wellknown work, Metropolis Lang presented spectators with his own particular vision of the future: a universe where a race of gentlemen enjoys life on the surface, while the workers, as inferior beings, are relegated to a life of underground slavery.

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In , affected by the Nazi repression, he abandoned Germany and moved to Paris, to eventually settle down in Hollywood and obtain American citizenship in He remained in Hollywood for more than twenty years. Norwood, Massachusetts United States , She is a photographer and experimental filmmaker, combining a straight documentary style with the theatrical nature of the media employed in her artwork, which continuously situates its beholders on the fine line between reality and fiction.

One of her habitual themes is adolescence and the passage from puberty to maturity, and she endows her images with poignant psychological content. She has received numerous awards and scholarships, such as that granted by the Rockefeller Foundation, and the John Simon Guggenheim Memorial Foundation Fellow, Filmmaking, Most noteworthy among her solo shows are Goshogaoka Girls Basketball, Gal. Groningen, Holland , He lives and works in Amsterdam.

Interested in extreme and extraordinary experiences, his work always conveys a touch of humor and is somewhat critical of society. His videos and installations take us to the limits of human perception and tolerance, creating disturbing situations that border on paroxysm, and therefore pose an endless stream of questions for viewers.

He has had many solo shows, such as Small Disasters, Gal. His work has also been included in several group shows, most noteworthy of which are: Wild Walls, Stedelijk Museum, Amsterdam, ; A touch of She earned a B. She continued her studies through a series of video, photography, film and theater workshops. Ricas y Famosas, her first book of photographs, portrays the lifestyle of Mexican millionaires who open the doors of their enormous mansions, demonstrating their art collections, designer clothes, cars and all kinds of rather Baroque, kitsch and even surreal paraphernalia.

In her pictures, the characters are presented as they are, or as they would like it to be perceived that they are, showing us a phantasmagoric universe coexisting in parallel with our own, where dreams, for however whimsical they may seem, can come true. Greene Naftali, New York, Aymores, Minas Gerais Brazil , He lives and works in Paris. He earned a doctoral degree in economics from the National School of Statistics in Paris. Between , he worked for the International Coffee Organization in Africa, where he discovered photography.

Upon his return to Paris, he began working as a freelance photographer, before joining the Gamma and Magnum agencies, covering diverse conflicts and collaborating with humanitarian organizations. In , with his wife Leila Wanick, he founded his own press agency, Amazonas Images, which owns the copyrights of all his photographs. He is an untiring traveler and his pictures reveal the suffering and anguish of the inhabitants of the less fortunate regions of the planet. The work he has produced as photojournalist has been enhanced by the nuances of fine art photography, resulting in highly aesthetic compositions.

His most well-known series, such as Other Americas -about peasant work-, Workers, Serra Pelada -about the working conditions in the gold mines of Brazil-, or Migrations have given rise to myriad exhibitions all over the world, as well as numerous publications. He has received. The vision of Pachico from last pages of the novel, namely that "both sides were right and neither was right", is usually attributed to Unamuno himself. The title of the novel might be interpreted in two ways: as citizens of Bilbao finding internal peace amongst the Carlist siege, and as new life being born out of a dialectic confrontation.

This confrontation was not necessarily symbolic; in numerous works and statements Unamuno openly praised civil war as means of overcoming dialectic differences. It was only once he had learnt the deadly toll of first months of the Spanish Civil War that he changed his view. The controversy is whether the apparent exaltation of Carlism, demonstrated by many of his protagonists and not infrequently also by storytellers of his novels, should be taken at face value or whether it is part of an ironic and perhaps provocative discourse. Settling the issue on basis of literature only seems close to impossible.

For others, [] Carlism represents an ambiguous myth, an illusion, sometimes bordering farce; its role is to catalyze a discourse about Spanish history, which blends glory with absurd. Among the giants of Spanish Modernism Baroja was the one who experienced most personal contact with Carlism, from his infancy days in the besieged Bilbao [] to his senility in Vera de Bidasoa. From his Nietzschean perspective Carlism was the movement of the weak, animated by the Church and luring those unable to become "men of action". Heavily attracted to rural vitality, at times primitive and brutal yet authentic, he lamented that it got hijacked by ideology powered by the priests, with the result of "double bestiality of being a Catholic and a Carlist".

Hardly anyone of numerous Carlists, populating the novels of Baroja, is a man who joined the movement out of conviction: they are foreigners, adventurers, criminals escaping justice, blinded fanatics incapable of reasoning, little men curing their inferiority complex, exalted boys who have read too much, village dumbs, those seeking personal revenge, those trying to get rich, those brainwashed by priests, those broken by failure in love, those willing to indulge, those bullied to join by their family, those conscripted by force, and so on and so on.

Though Baroja was attracted to what he saw as authentic rural virility in the Carlist ranks, he believed it endured despite, not because of their very Carlist nature. Baroja is careful to strip the Carlists of their notorious machista appearance, in his vision reduced to cowardly brutality. Not only they can not wage the war like men, pursuing cowardly tactics and harassing women and children, but they are also beaten in one-to-one juvenile fistfights and lose miserably in pelota ; of course, they are neither a match for their opponents when it comes to attracting females.

He was identified, personally and as enemy of religion and Carlism, and at a roadside he was held by the Carlists at gunpoint. Following a brief discussion whether he should be executed, the year-old got off with a punch in the face. The most explicit case is La catedral ; the work is resemblant of an old-style militant assault rather than of the Modernist ambiguous discourse, as the Carlists are portrayed typically as hypocrites, who in the name of God engage in most ungodly atrocities or simply indulge in most earthly pleasures.

Ciro Bayo [] released Dorregaray. Joan Bardina during his Carlist phase in the s fathered politically very militant and exalted poems [] and satires, yet they remain unknown even in the Catalan literature. As author of heterogeneous short pieces Recorts de la darrera carlinada he is compared to such authors of war stories as Hemingway or Babel , [] while his novel La Punyalada is counted among masterpieces of Catalan literature of all time. Spanish literature of the 20th century poses a major problem in terms of periodisation, with many conflicting proposals offered; it seems close to impossible to single out an aesthetic literary trend generally accepted as prevailing or even to specify temporal borderlines for any given period, regardless of its would-be name.

Harboring a concept of violent clash as unavoidable outcome of current crisis, from the late regeneracionistas to the personalities of the Second Republic, is at times dubbed "catastrofismo". The Civil War produced a brief spate of literature intended to mobilise support for the belligerent parties, including the Carlists.


Unamuno has abandoned the Carlist motive, though he kept tackling the phenomenon in his treaties and studies. One of few rare cases of Carlism featured as key motive in writings of a literary giant who did not come from a Hispanic culture is The Arrow of Gold by Joseph Conrad The Polish-English writer claimed he had been himself involved in smuggling arms for the rebels along the Mediterranean coast during the Third Carlist War, yet historians of literature do not agree whether these claims should be taken seriously.

The Arrow of Gold seems heavily based on these juvenile experiences, yet Carlism serves mostly as a background evoking an atmosphere of mystery. It is difficult to find either particular sympathy or particular hostility for the movement, yet many scholars claim that the key protagonist considered Conrad's alter-ego was cynically used by Carlist conspirators. Overall, the novel is considered a treaty on "emotional boundary between people"; [] Conrad has never again displayed any literary interest in Spanish issues.

Carlism atracted also another English writer, at that time yet to become eminent, Graham Greene. Either in the late s or in the very early s he wrote The Episode , the novel which traced the experiences of an idealistic young man against very loose background of revolutionary turmoil in the 19th-century Spain; the narrative contained non-marginal Carlist threads. Another foreigner who demonstrated interest in Carlism was Pierre Benoit , one of the most-read French writers of the 20th century and himself a Traditionalist; he adhered to its specific secular breed, in France shaped by the personality of Charles Maurras.

His Pour don Carlos was marked by Benoit's trademark style: well-constructed adventurous plot combined with good historiographic research and somewhat simplified psychology; in terms of political sympathies it clearly hailed the legitimist cause. He is worth noting because some of his novels, e. El abuelo del rey , provide a veiled discourse on tradition and change with Traditionalism present in the background. Moreover, in his later novels some of his Carlist personalities, like Don Alvaro from Nuestro Padre San Daniel and El obispo leproso escape the usual scheme and provide an ambiguous and rather mysterious point of reference.

In El barrio maldito he portrays the province as held in reactionary grip of the Carlists, who themselves are traditionally presented as hyprocrytes; [] in Centauros del Pirineo in a somewhat Barojian manner he hailed smugglers, who represent "sensibilidad fina, moderna, europea" as opposed to "elemento tradicionalista". Drama lost importance as political battleground already in the midth century, yet echoes of Carlism-related debates were heard also among the playwrights.

Among the spate of pro- Republican theatrical pieces of the s or even more militantly left-wing dramas of the early s many contained more or less explicit Carlist threads. In three first decades of the 20th century he was contributing as a prosaist and publisher, though especially as a playwright; his dramas embrace religious topics in historical setting, like La Reina Lupa The outbreak of the warfare triggered a spate of literary works intended to mobilize support and sustain enthusiasm. Literary production of the Republicans remained far lower than on the opposite side; in none of some 30 works identified there is a Carlist personaje worth noting, [] though some feature Carlist themes, like A sangre y fuego by Manuel Chaves Nogales [] or Loretxo by Txomin Arruti The Carlist theme attracted also few less-known writers, though.

Terminology and periodization problems related to history of Spanish literature in the 20th century apply also to the years after the Civil War. Alternative designations applied to culture of the era are "nacionalcatolicismo" [] or "fascismo", [] though both are disputed. In terms of the Carlist motive in literature, the period is marked by a specific approach, which was heavily related to official control over cultural life and which reflected political role of Carlism in the Francoist Spain. Carlism was welcome when presented as a glorious movement of the past; on the other hand, Carlism was unwelcome as a cultural proposal for the present.

During first decades of post-war Spain the trend which clearly prevailed when it comes to the Carlist theme was continuation of the wartime-style novels; it was visible in the s but started to dry out and disappeared almost completely in the s.

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None of the key features changed: nagging moralising objectives, sketchy and Manichean characters, Civil War setting, lively yet predictable plot. Casariego kept writing, but the most successful of his wartime novels, Con la vida hicieron fuego , did not contain Carlist threads. Re-published a number of times and translated into French, English, German and Italian, it featured a fisherman's son turned navy commander; the novel soon served as screenplay for a movie.

The novels of Jaime del Burgo assumed a heterogeneous format. The protagonist, a young Santiago, was constantly harassed by revolutianary mob, until during the war he fled to the Nationalist zone and enlisted to the Carlist units, wreaking havoc on his enemies; the only non-conventional motive was his Communist friend, who at the end abandoned the false prophets. It was inhabited by descendants of those fighting in the 19th-century Carlist wars; for a century they lived in complete isolation, descendants of the Carlists becoming an honest, brave community, and descendants of the Liberals becoming an immoral, bestial bunch.

The case is presented by a story of longtime rivalry between two Navarrese families, a Carlist and a Liberal one. The former features a patriarch Basque Carlist who decides to join the gudaris , [] the latter pictures a girl from a well-off family who has to overcome resistance of her Carlist relatives to marry a simple worker, a Basque nationalist. Many of the wartime novelas de tesis were built upon action-packed intrigues, yet nagging moralising objectives and clear pedagogical if not propagandistic purpose usually prevailed over their adventurous features.

This is not the case of another novelistic subgenre, where adventure is on the forefront; it might be cast in historical or contemporaty setting. In Spanish history of literature they are dubbed "novela de aventura" or - usually when romance threads prevail - "novela rosa", the latter intended mostly for female audience. This literature was on the rise since the s, in mid-Francoism becoming the key platform of sustaining Carlist presence in culture.

Most of the Carlist authors who contributed to party propaganda as editors, publishers or authors of novelas de tesis tried their hand in adventure novel. Their novels are cast in vastly different settings, from the early 19th century to contemporary Spain. Intended for popular audience they indeed make an easy read, featuring adventurous or romantic plots; the Carlists often appear as key protagonists. An analytical intellectual, she diagnosed that in culture dominated by mass media the dissemination was key, and Carlism would be better served by simple but popular novels rather than by great sophisticated works read by few.

However, the original lyrics have been changed: passages "Inmolarse por Dios" and "servir al Rey" were replaced. Deprived of clearly Carlist or Traditionalist threads, his poetry is spanned between irony and melancholy. However, he is best known as the moving spirit behind La Tertulia Literaria Hispanoamericana, weekly sessions of live poetry; the event was launched in and has been operating as part of various institutional frameworks; the project outlived Francoism and earned Montesinos prestigious standing especially among the younger generation.

In terms of the Carlist theme, the literary works fall into two rubrics. The majoritarian one is about Carlism as a setting for adventure stories , usually combined with elements of historical novel, psychology, romance, fantasy, alternative history, horror and so on; historically these works are usually though not always set in the 19th century. Jazz singing is really very awesome. I would like to say that jazz singing is really very wonderful. I am really like it. I was actually captured with the piece of resources you have got here. Big thumbs up for making such wonderful blog page.

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Trece ultimas horas en la vida de García lorca, las (Historia Del Siglo Xx) (Spanish Edition) Trece ultimas horas en la vida de García lorca, las (Historia Del Siglo Xx) (Spanish Edition)
Trece ultimas horas en la vida de García lorca, las (Historia Del Siglo Xx) (Spanish Edition) Trece ultimas horas en la vida de García lorca, las (Historia Del Siglo Xx) (Spanish Edition)
Trece ultimas horas en la vida de García lorca, las (Historia Del Siglo Xx) (Spanish Edition) Trece ultimas horas en la vida de García lorca, las (Historia Del Siglo Xx) (Spanish Edition)
Trece ultimas horas en la vida de García lorca, las (Historia Del Siglo Xx) (Spanish Edition) Trece ultimas horas en la vida de García lorca, las (Historia Del Siglo Xx) (Spanish Edition)
Trece ultimas horas en la vida de García lorca, las (Historia Del Siglo Xx) (Spanish Edition) Trece ultimas horas en la vida de García lorca, las (Historia Del Siglo Xx) (Spanish Edition)
Trece ultimas horas en la vida de García lorca, las (Historia Del Siglo Xx) (Spanish Edition) Trece ultimas horas en la vida de García lorca, las (Historia Del Siglo Xx) (Spanish Edition)
Trece ultimas horas en la vida de García lorca, las (Historia Del Siglo Xx) (Spanish Edition) Trece ultimas horas en la vida de García lorca, las (Historia Del Siglo Xx) (Spanish Edition)
Trece ultimas horas en la vida de García lorca, las (Historia Del Siglo Xx) (Spanish Edition) Trece ultimas horas en la vida de García lorca, las (Historia Del Siglo Xx) (Spanish Edition)

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